Hands
A frightened old man in a small Ohio town hides his restless hands, and the story of why is a story about how a community destroys a gentle teacher.
Wing Biddlebaum is the town oddity of Winesburg, a bald, nervous man who talks with his hands and then shoves them in his pockets as if they had done something wrong. Only one person in town, young George Willard, has come close to him. One afternoon Wing forgets himself, rests his hands on the boy’s shoulders, and runs home in terror. Then the narrator tells us what happened twenty years earlier in a Pennsylvania schoolyard, and the fear makes terrible sense.
What happens in Hands
Wing Biddlebaum, a fat, nervous little man who looks much older than his forty years, paces the porch of his small house near Winesburg, Ohio, hoping the young newspaper reporter George Willard will visit. George is the only person in town Wing trusts. With him, Wing talks eagerly and uses his quick, expressive hands, which earned him his nickname and which the town admires only because he can pick huge numbers of strawberries with them. Once, while urging George to stop imitating the townspeople and learn to dream, Wing lays his hands on the boy’s shoulders, then jumps up in horror and hurries home. George decides not to ask about the hands. The narrator then reveals Wing’s past. Years before, under the name Adolph Myers, he was a gifted, gentle schoolteacher in Pennsylvania who expressed his care for his pupils by touching their shoulders and hair. A disturbed boy accused him of unspeakable things, other boys were pressured into agreeing, and a saloon keeper beat him in the schoolyard. A mob that meant to hang him let him flee into the night, throwing mud and sticks after him. He took a new name from a box of goods at a freight station, went to live with an aunt in Winesburg, and has spent twenty years hiding his hands, believing without understanding that they were to blame. The story ends that evening as Wing, alone, kneels to pick up crumbs from his floor with rapid fingers, looking like a priest telling the beads of a rosary.
Where and when Hands happens
Wing’s house near Winesburg, Ohio
A small, half-decayed frame house at the edge of a ravine, cut off from the town by a field of weeds.
A Pennsylvania town
The school where Adolph Myers taught and where the accusation and the mob drove him out.
Small-town America, around 1900
A close, watchful community where rumor could ruin a man and a secret could be kept for twenty years.
Timeline the story arc, beat by beat
- Waiting The porch
Wing paces his porch at dusk, hoping George Willard will come, while girls on a passing wagon mock his hair.
- Friendship The only friend
The narrator explains that George is the one person in Winesburg with whom Wing loses his timidity and talks freely.
- The hands A town curiosity
Wing’s restless hands gave him his name, and the town values them only for how many strawberries they can pick.
- The slip Hands on the shoulders
Urging George to dream, Wing forgets himself, touches the boy’s shoulders, and then flees home in terror.
- The past Adolph Myers
Twenty years earlier, Wing was a beloved Pennsylvania teacher who touched his pupils’ shoulders and hair as he taught.
- The accusation Driven out
A disturbed boy’s false story leads to a beating and a mob that nearly hangs him before chasing him into the night.
- The ending Crumbs on the floor
Alone that evening, Wing picks up bread crumbs with quick fingers, like a priest praying over a rosary.
Characters and how they connect
Wing Biddlebaum
Protagonist
A timid, prematurely old man who hides his hands because a false accusation taught him to fear his own tenderness. His real name is Adolph Myers.
George Willard
Young reporter
The son of the local hotel keeper and Wing’s only friend. His curiosity about the hands, and his choice not to ask, frame the story.
The half-witted boy
Accuser
A disturbed pupil whose fantasies about his teacher, told as facts, set off the scandal.
Henry Bradford
Saloon keeper
The father who beats Adolph Myers in the schoolyard, voicing the town’s fury.
The narrator
Storyteller
A voice that keeps calling for a poet to tell Wing’s story properly, and that asks the reader to see past the town’s judgment.
Character Relationships who connects to whom, and the themes that bind them
Friendship / ally
Connection
Themes in Hands what the story is really about
Isolation
Wing lives cut off from Winesburg, trusting only one person. The story shows how fear and rumor can shut a person out of ordinary human contact for life.
Misunderstood tenderness
Wing expressed care through touch, and a community read it as something sinister. Anderson asks readers to see the difference the townspeople could not.
The power of rumor
A single boy’s fantasy, repeated and believed, destroys a man’s life. The story shows how quickly doubt becomes certainty in a crowd.
Dreams and imagination
Wing urges George to stop imitating others and to dream, the same gift he once tried to give his pupils.
The grotesque
Winesburg sees Wing as a strange figure, but the story reveals the wound that made him so, which is Anderson’s larger interest across the whole book.
Symbols & motifs
Wing’s hands
The hands represent Wing’s capacity for affection and expression, and his shame about them represents what the mob did to him.
The name Wing
Given for the fluttering of his hands, it suggests a trapped bird beating against its cage.
The bread crumbs
Wing picking up crumbs one by one shows a starved, solitary life, and the priestly image hints at something holy in his loneliness.
The ravine and the field of weeds
The land around Wing’s house marks the distance between him and the town.
Recurring motifs
Hiding. Wing keeps pushing his hands into pockets or behind his back, a repeated gesture of shame.
Calls for a poet. The narrator repeatedly says Wing’s story needs a poet, insisting there is beauty in a life the town dismissed.
Mockery. From the berry pickers’ taunt to the mob’s thrown mud, Wing is repeatedly ridiculed and driven away.
Conflicts
Person vs. society
A Pennsylvania town turns on Adolph Myers, and Winesburg keeps him at a distance as its local oddity.
Person vs. self
Wing fears his own hands and his own affection, blaming himself for a crime he did not commit.
Person vs. person
The accusation and the saloon keeper’s beating are the direct violence that changed his life.
Literary devices
- Flashback
- The story shifts from Wing’s present to his past as a teacher, revealing why his hands frighten him.
- Intrusive narrator
- The narrator comments directly, calling for a poet and inviting the reader to judge more fairly than the town did.
- Symbolism
- The hands carry the whole meaning of the story, from affection to shame.
- Imagery
- The closing picture of Wing kneeling in lamplight like a priest recasts him as a figure of devotion rather than disgrace.
- Irony
- The town is proud of Wing’s hands for picking strawberries, never knowing what they cost him.
Important quotes
“The story of Wing Biddlebaum is a story of hands.”
“You must begin to dream. From this time on you must shut your ears to the roaring of the voices.”
“There’s something wrong, but I don’t want to know what it is.”
“He was one of those men in whom the force that creates life is diffused, not centralized.”
“Although he did not understand what had happened he felt that the hands must be to blame.”
“In the dense blotch of light beneath the table, the kneeling figure looked like a priest engaged in some service of his church.”
The ending of Hands, explained
Hands ends quietly, with no confrontation and no resolution, and that is the point. After the flashback reveals how Adolph Myers was accused, beaten, and driven from Pennsylvania, the story returns to the present evening. George Willard has not come. Wing eats bread and honey, washes his few dishes, and sets up his cot. Then he notices crumbs on his clean floor and kneels to pick them up, carrying them to his mouth one by one with astonishing speed. In the lamplight he looks like a priest at a church service, his fingers moving like a devotee’s through the beads of a rosary. The image does two things. It shows how starved and solitary Wing’s life has become, reduced to a lonely ritual in an empty house. It also reframes the hands the town once called monstrous as hands made for devotion and care. Wing himself still does not understand what happened to him; he only knows the hands were blamed. The narrator’s repeated wish for a poet to tell this story fairly is answered by the ending, which asks the reader to see Wing with the sympathy Winesburg never offered. George’s decision not to ask about the hands, made just before the flashback, looks both kind and inadequate: it spares Wing, but it also leaves him alone with his fear.
Common misreadings
MythThe story says Wing was guilty of what he was accused of.
ActuallyThe narrator presents the accusation as a disturbed boy’s fantasy told as fact, and Wing as a gentle teacher wrongly condemned.
MythWing Biddlebaum is his real name.
ActuallyHe was Adolph Myers. He took the name Biddlebaum from a box of goods at a freight station, and Wing is a nickname.
MythHands is a standalone story unrelated to other work.
ActuallyIt is part of Winesburg, Ohio (1919), a linked collection in which George Willard appears throughout.
Test yourself
1. Who is Wing Biddlebaum’s only friend in Winesburg?
George, the young reporter, is the one person Wing trusts.
2. What was Wing’s profession before Winesburg?
As Adolph Myers he taught school in Pennsylvania.
3. What does Winesburg admire about Wing’s hands?
The town values them only for their speed in the fields.
4. Where did Wing get the name Biddlebaum?
He saw it while fleeing through an Ohio town.
5. What is Wing doing at the end of the story?
He kneels in the lamplight gathering crumbs, like a priest at prayer.
Wing is a nervous old man in a small Ohio town who talks with his hands and then hides them. His only friend is a young reporter named George. One day, while telling George to dream big, Wing puts his hands on George’s shoulders and then runs away scared. Then we learn why: years ago Wing was a kind teacher who patted his students, and a troubled boy made up a terrible story about him. The town believed it, beat him, and chased him away. Ever since, Wing has blamed his hands. The story asks us to feel sorry for a gentle person whom a whole town misjudged.
Flashcards flip, self-grade, and the deck remembers what you know
Nice work.
Compare & connect the story universe
Paul’s Case
Another portrait of a sensitive person crushed by the narrow expectations of an American town.
A Rose for Emily
A town’s gossip about a solitary figure hides a story the townspeople never understood.
Bartleby, the Scrivener
A lonely, withdrawn man whose history is revealed only at the end, and whose isolation the narrator cannot cure.
Araby
Another story from a linked collection about a town, in which a moment of feeling ends in shame.
Discussion & essay prompts for class, or your next paper
💬 Discussion questions
- Why does Wing Biddlebaum hide his hands
- What happened to Adolph Myers in Pennsylvania
- What do the hands symbolize in Hands by Sherwood Anderson
- How does Hands explore the theme of isolation?
- How does Hands explore the theme of misunderstood tenderness?
- What is the central conflict in Hands, and how does it shape the ending?
✎ Essay prompts
- Analyze how Sherwood Anderson develops the theme of isolation in Hands. Support your argument with specific evidence from the text.
- Examine the significance of wing’s hands in Hands. What does it represent, and how does it deepen the work’s meaning?
- How does Sherwood Anderson use flashback to shape the reader’s experience of Hands?
- Some readers assume that the story says Wing was guilty of what he was accused of. Argue for or against this interpretation, using evidence from the text.
Key questions students ask
- Why does Wing Biddlebaum hide his hands
- What happened to Adolph Myers in Pennsylvania
- What do the hands symbolize in Hands by Sherwood Anderson
- What is the meaning of the ending of Hands
- What is the relationship between Wing and George Willard
- How does Hands fit into Winesburg, Ohio
Analysis is original StoryBites commentary. Quotations are from Sherwood Anderson’s Hands, the first tale after the prologue in Winesburg, Ohio (1919; Project Gutenberg eBook #416), which is in the public domain.
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