AP Literature · poem · 12 lines

Incident

An eight-year-old smiles at a boy in Baltimore, gets a racial slur in return, and forgets everything else about months in the city.

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Incident the full poem, lines numbered

1Once riding in old Baltimore,
2Heart-filled, head-filled with glee,
3I saw a Baltimorean
4Keep looking straight at me.
5Now I was eight and very small,
6And he was no whit bigger,
7And so I smiled, but he poked out
8His tongue, and called me, “Nigger.”
9I saw the whole of Baltimore
10From May until December;
11Of all the things that happened there
12That’s all that I remember.
The poem in 60 seconds

Twelve short lines in a sing-song ballad rhythm tell of one moment on a childhood visit. A smile is answered with a hateful word, and that word crowds out everything else the speaker saw in Baltimore. Watch how calmly the story is told, and how the rhyme lands the blow at the end of the middle stanza.

The speaker looks back on a visit to Baltimore in childhood. Riding through the city, happy and excited, the child noticed a boy from Baltimore who kept looking straight at the speaker. The speaker was eight years old and small, and the other boy was no bigger. So the speaker smiled at him. The boy answered by sticking out his tongue and calling the speaker a racial slur, the most hateful insult aimed at Black Americans. It is the only spoken word in the poem. In the last stanza the speaker says that they saw the whole of Baltimore, from May until December. Yet of everything that happened there in all those months, that one moment is the only thing the speaker remembers. The poem gives no comment on the other boy and never says how the child felt. It lets the lost months show how deep the wound went.

Speaker & situation

SpeakerAn adult looking back on something that happened at age eight (line 5). The speaker is never named, though the slur in line 8 shows the child was Black. Many readers hear Cullen’s own voice, but the poem does not claim to be autobiography.
Addressed toNo listener is named. The speaker tells the story plainly, as if to anyone who will listen.
OccasionA childhood visit to Baltimore, remembered years later. In Color (1925) the poem is dedicated “For Eric Walrond,” a fellow writer of the Harlem Renaissance; the dedication is printed under the title and is not part of the poem.
SettingBaltimore, Maryland. The child is “riding” through the city (line 1), though the poem does not say in what, and the visit lasts “From May until December” (line 10).
TonePlain, quiet and understated. The child’s “glee” in line 2 gives way to the insult in line 8, and the last stanza reports the damage without any outcry, which makes it land harder.

Form & sound

FormBallad; three four-line stanzas in ballad meter, the plain pattern of folk songs and hymns. Cullen uses this simple, song-like form for a story of cruelty, and the gap between the tune and the event is part of the poem’s force.
MeterLines alternate between four beats and three: iambic tetrameter in the odd lines and iambic trimeter in the even ones, as in “Now I was eight and very small, / And he was no whit bigger” (lines 5 and 6). The even lines of stanzas 2 and 3 end on an extra unstressed syllable, as in “bigger,” “December” and “remember.”
Rhyme schemeABCB in each stanza: only the second and fourth lines rhyme (glee and me, December and remember). In the middle stanza, “bigger” in line 6 sets up a rhyme that the slur completes at the end of line 8, so the insult arrives exactly where the form puts the most weight.
SoundLine 2, “Heart-filled, head-filled with glee,” repeats both its h sounds and its shape, so the child’s happiness bounces. The city’s name returns in lines 1, 3 (“Baltimorean”) and 9, framing the poem with the place the insult comes to stand for.
StructureEach stanza does one job: the happy ride and the stare (lines 1 to 4), the meeting and the insult (lines 5 to 8), and the memory it left (lines 9 to 12). The poem’s only spoken word closes the middle stanza, and it is printed in quotation marks.

Line by line what each part says and does

  1. 1

    Lines 1–4

    A happy ride and a stare

    The speaker remembers riding through “old Baltimore,” full of “glee.” A boy from the city, “a Baltimorean,” keeps looking straight at the speaker.

    How it worksThe opening is cheerful and innocent, and the stare is not yet hostile. The reader, like the child, has no idea what is coming.

  2. 2

    Lines 5–8

    The smile and the slur

    The speaker was eight and very small, and the other boy was “no whit bigger,” meaning not at all bigger. The speaker smiles at him. He sticks out his tongue and calls the speaker a racial slur.

    How it worksThe two children are equals in size, so nothing about strength or threat explains the insult; it rests on race alone. The child’s smile is an offer of friendship, and the slur refuses it.

  3. 3

    Lines 9–12

    All that is left

    The speaker saw the whole of Baltimore from May until December. Of all the things that happened there, the insult is the only one the speaker remembers.

    How it worksThe last stanza measures the harm. Months of sights and experiences have been wiped out by one word, and the plain, calm statement shows how deep the wound went.

The turn

Lines 7–8

Lines 1 to 6 set up an ordinary, even friendly meeting between two small children. The “but” in line 7 turns it: the smile is answered with a stuck-out tongue and a slur. The last stanza then steps back to show what that moment did to the speaker’s memory.

Literary devices with line numbers

Understatement

The title calls the event an “Incident,” a word for something minor, and line 12 reports its effect in the flattest terms: “That’s all that I remember.” The speaker never names the pain, so the reader has to feel it.

Irony

In line 2 the child is full of “glee,” and in line 7 the child smiles in friendship. The answer is the opposite of what that openness invites, and a long stay in a whole city shrinks to one ugly moment (lines 9 to 12).

Rhyme placement

In line 6, “bigger” sets up a rhyme, and the reader of a ballad waits for it. The slur completes that rhyme at the end of line 8, so the insult lands on the stanza’s final and strongest beat.

Contrast of form and content

The poem uses the sing-song meter of nursery rhymes and hymns, four beats and then three. The light tune suits a child’s view of the world, and it makes the cruelty in line 8 more shocking when it arrives.

Retrospective point of view

The speaker tells the story years later. “Now I was eight” in line 5 is a storyteller’s “now,” not the present. The adult voice explains nothing and judges no one, but lines 9 to 12 show the memory has not faded.

Juxtaposition

Lines 9 and 10 set out a large span of place and time (“the whole of Baltimore,” “From May until December”). Lines 11 and 12 set against it the single moment that survives. The imbalance shows how one act of hatred can outweigh months of experience.

Themes in Incident

Racism learned earlyThe lasting harm of wordsLost innocenceMemory

Racism learned early

The boy who uses the slur is a child “no whit bigger” than the speaker (line 6). Many readers draw the point that he was not born with this hatred but has already been taught it. The poem shows racism at work between two small children.

The lasting harm of words

One word, spoken in a moment, outlasts months of memories (lines 11 and 12). The poem shows that an insult can do deep and lasting damage, especially to a child.

Lost innocence

The speaker begins “Heart-filled, head-filled with glee” (line 2) and smiles at a stranger. The slur ends that easy trust. The poem marks the moment a Black child learns how some people see them.

Memory

The poem is a memory about memory. It describes nothing of Baltimore beyond one meeting because, as line 12 says, nothing else survived.

Images and symbols

The smile

The child’s smile in line 7 stands for openness and trust between children. It is the gesture the slur answers.

Baltimore

The city’s name appears in lines 1, 3 and 9. It should hold a whole season of sights, but in the speaker’s memory it shrinks to one moment on the street.

Tensions

Innocence vs. hatred. A child’s friendly smile meets a slur from another child. The poem does not resolve the conflict. It shows only the mark it left.

The ending

How Incident ends, explained

The last stanza moves away from the moment itself. The speaker says they saw “the whole of Baltimore” from May until December, most of a year of sights and days. Then line 12 cancels all of it: “That’s all that I remember.” Everything else from that time is gone, and only the insult is left. The ending works through understatement. The speaker never says they were hurt, never describes tears or anger, and never comments on the other boy. The reader has to measure the harm by what it destroyed, and that restraint is part of why the poem is hard to forget. The word itself explains the damage. The slur in line 8 is the most hateful insult aimed at Black Americans, a word used to say that a person is less than human. Said by one child to another, in answer to a smile, it teaches an eight-year-old how the world can see a Black child. Readers take the ending in slightly different directions. Some stress the lasting injury that a single act of racism can do. Others notice that the other boy is also a child, and read the poem as showing how early racism is learned. Many notice that the memory is told calmly, years later, which suggests the wound has not healed so much as settled in.

“Once riding in old Baltimore, / Heart-filled, head-filled with glee,”
Lines 1–2. The opening sounds like the start of a happy childhood story. The bouncing repetition in line 2 sets up the fall that follows.
“Now I was eight and very small, / And he was no whit bigger,”
Lines 5–6. The two children are the same size. Nothing about strength or danger explains what comes next; only race does.
“I saw the whole of Baltimore / From May until December;”
Lines 9–10. A whole city and most of a year, set up only to be cancelled by the next two lines.
“Of all the things that happened there / That’s all that I remember.”
Lines 11–12. The quiet close. One insult has erased everything else, and the plain statement carries the hurt without naming it.

Common misreadings

MythThe poem says the other boy was white.

ActuallyIt never names his race. He is only “a Baltimorean” (line 3) who is “no whit bigger” than the speaker (line 6). Readers infer the rest from the slur and from the time and place.

MythThe speaker was bullied by someone older or bigger.

ActuallyLine 6 says the other child was “no whit bigger,” meaning not at all bigger. The poem makes the two children equals, so the insult cannot be explained by a bully’s size or strength. It rests on race alone.

MythThe poem is Cullen’s own report of a trip he took as a child.

ActuallyReaders often assume so, but the poem gives the speaker no name and does not claim to be autobiography. In an essay, write about “the speaker” rather than Cullen unless you have a source.

AP practice a poetry prompt in the exam's style

In Countee Cullen’s “Incident,” an adult remembers a childhood visit to Baltimore and a single word spoken by another child. Read the poem carefully, then write an essay that analyzes how Cullen uses literary elements and techniques to convey a complex perspective on memory and the harm of racism.

What a strong response notices

  • The cheerful opening in lines 1–2 (“Heart-filled, head-filled with glee”) and how it sets up the fall in line 8.
  • The equal size of the two children in lines 5–6, which rules out any explanation but race.
  • The turn on “but” in line 7, and the rhyme that places the slur at the end of line 8, the stanza’s strongest position.
  • The contrast in lines 9–12 between a whole city over many months and the one memory that survives.
  • The ballad meter and the understated title, which keep the telling calm and leave the reader to supply the pain.

Practice prompt written by StoryBites, not taken from a College Board exam. See the AP Literature free-response guide for how answers are scored.

Test yourself

1. How old was the speaker when the incident happened?

2. What does “no whit bigger” mean in line 6?

3. What does the speaker do just before the insult?

4. How long did the speaker’s time in Baltimore last?

5. What is the rhyme scheme of each stanza?

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Answer

Explain it like I’m 12

A child remembers visiting the city of Baltimore at age eight. The child was riding along, happy and excited. Another boy, no bigger, kept staring. The child smiled at him. The boy stuck out his tongue and called the child a very cruel name meant to insult Black people. The child stayed for months and saw the whole city, but that cruel moment is the only thing the child still remembers.

Compare & connect

Song for a Dark Girl

Langston Hughes

Another Harlem Renaissance poem that sets racist cruelty inside a simple song form. In both, the familiar tune makes the violence more shocking.

I, Too

Langston Hughes

Hughes’s speaker is sent to eat in the kitchen when company comes and answers with calm confidence about tomorrow. Both poems show a Black speaker meeting exclusion, but Cullen’s records the wound while Hughes’s looks ahead.

To Kill a Mockingbird

Harper Lee

Scout Finch learns about racism as a child, and like Cullen’s speaker she tells the story from an adult’s distance, years after the events.

Discussion and essay prompts:

💬 Discussion questions

  • What is the poem Incident by Countee Cullen about
  • What is the theme of Incident by Countee Cullen
  • Why does the speaker only remember one thing in Incident
  • How does Incident explore the theme of racism learned early?
  • How does Incident explore the theme of the lasting harm of words?
  • What is the central conflict in Incident, and how does it shape the ending?

✎ Essay prompts

  1. Analyze how Countee Cullen develops the theme of racism learned early in Incident. Support your argument with specific evidence from the text.
  2. Examine the significance of the smile in Incident. What does it represent, and how does it deepen the work’s meaning?
  3. How does Countee Cullen use understatement to shape the reader’s experience of Incident?
  4. Some readers assume that the poem says the other boy was white. Argue for or against this interpretation, using evidence from the text.

Key questions students ask

  • What is the poem Incident by Countee Cullen about
  • What is the theme of Incident by Countee Cullen
  • Why does the speaker only remember one thing in Incident
  • What is the tone of Incident by Countee Cullen
  • What is the rhyme scheme of Incident by Countee Cullen
  • Why is the poem called Incident

Analysis is original StoryBites commentary. The poem is printed from Color (Harper & Brothers, 1925), Countee Cullen’s first book, checked line by line against the page image of that printing. It is in the public domain.

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