William Wilson
A spoiled, arrogant young man is shadowed from schoolboy days by a whispering double with his name, his birthday and his face, until he runs the double through with a sword.
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At school the narrator rules everyone except one boy, who has the same name, arrived on the same day, and was born on the same date. That boy copies his clothes, his walk and even his voice, and he can only whisper. Years later, at Eton, at Oxford, in Rome and across Europe, the same whisper stops the narrator every time he is about to do something vile. Poe’s tale of a man and his double is also a confession, told by someone who says he is dying and wants your pity.
What happens in William Wilson
The narrator, near death and too ashamed to give his real name, calls himself William Wilson and promises to explain how he fell from ordinary wickedness into far worse crime. Spoiled by weak parents, he grows up willful. At Dr. Bransby’s school, a rambling old house in an English village, he rules his classmates except one: a boy with the same first name and surname who entered on the same day and, he later learns, was born on the same date. This second William Wilson competes with him, refuses to obey him, and slyly copies his dress, walk and manner. A weakness of the throat keeps him from speaking above a low whisper, yet his whisper becomes an echo of the narrator’s voice. He also offers quiet advice, which the narrator hates but later admits was wiser than his own. One night after a violent quarrel, the narrator creeps with a lamp to his rival’s bed to play a cruel trick, looks at the sleeping face, and is seized by such horror that he leaves the school that night for good. After months at home he goes to Eton and sinks into drinking. During a dawn party, a youth dressed like him appears in the dark hall, whispers the name William Wilson in his ear, and vanishes. At Oxford the narrator becomes a card cheat and sets out to ruin Glendinning, a rich young nobleman of weak intellect, at écarté. When Glendinning is ruined, a cloaked stranger bursts in, the candles go out, and a whisper tells the company to search the narrator’s sleeve and pockets, where the doctored cards are found. The host, Mr. Preston, hands him a fur cloak from the floor, the exact twin of the one already on his arm. He flees abroad, but in Paris, Rome, Vienna, Berlin, Moscow, Naples and Egypt the double keeps stepping in to spoil his schemes, never showing his face. At last, drunk at a Carnival masquerade in Rome, the narrator is pursuing the young wife of the old Duke Di Broglio when the whisper stops him. He drags the masked double, dressed exactly like him, into a small room and stabs him again and again. Turning back from the door, he seems to see a mirror holding his own pale, bloody image, but it is Wilson, wearing the narrator’s own face, who tells him that he has murdered himself.
Where and when William Wilson happens
Dr. Bransby’s academy
A rambling Elizabethan house in a misty English village, walled with brick and broken glass, where the narrator spends five years and meets his double.
Eton and Oxford
The schools where the narrator’s drinking and gambling grow, and where the double twice interrupts him.
The palazzo of the Duke Di Broglio
The scene of a crowded Carnival masquerade in Rome and of the final fight in a small room off the ballroom.
The 1800s, over one man’s life
Both Wilsons are born on the nineteenth of January 1813, and the story runs from their schooldays through years of flight to a Carnival in an unnamed year.
Timeline the story arc, beat by beat
- The school A second William Wilson
At Dr. Bransby’s academy a boy with the narrator’s name, arrival day and birthday becomes the one classmate who will not submit to him.
- The rivalry The whispering copy
The namesake imitates the narrator’s dress, walk and voice in a whisper and offers quiet advice that the narrator resents.
- The night The sleeper’s face
Creeping with a lamp to prank his sleeping rival, the narrator is horrified by the face he sees and leaves the school that same night.
- Eton A whisper at dawn
During a drunken party, a youth dressed like the narrator meets him in a dark hall, whispers his name, and disappears.
- Oxford The cheat exposed
As the narrator ruins Glendinning at cards, a cloaked stranger tells the company where his hidden cards are, and he must flee Oxford.
- The pursuit Across Europe
From Paris to Rome, Naples and Egypt, the double keeps appearing to block his schemes, always with his face hidden.
- The masquerade The mirror
At a Carnival ball in Rome the narrator stabs the masked double and finds the dying man wearing his own face.
Characters and how they connect
William Wilson
The narrator
A proud, willful man who hides his real name behind this one and tells, near death, how he slid from schoolboy tyranny to cheating, debauchery and murder.
The second William Wilson
The narrator’s double
A classmate with the same name, birthday and build who speaks only in a whisper, copies the narrator, and turns up across Europe to stop his worst schemes.
Dr. Bransby
Headmaster and pastor
The principal of the narrator’s school, sour and strict with a ferule in the schoolroom yet solemn and benign in the village pulpit.
Glendinning
The narrator’s victim at cards
A newly rich young nobleman of weak intellect whom the narrator plies with wine and ruins at écarté at Oxford.
Mr. Preston
Host at Oxford
The fellow-commoner in whose rooms the cheating is exposed, who hands the narrator the duplicate cloak and tells him to leave.
Di Broglio’s wife
The narrator’s intended conquest
The young wife of an aged Neapolitan duke, whom the narrator is chasing through the masquerade when the double stops him.
Character Relationships who connects to whom, and the themes that bind them
Rivalry / conflict
Connection
Themes in William Wilson what the story is really about
Conscience and the divided self
The double interferes only to stop mischief, and his quiet advice is better than the narrator’s own, so he works like a conscience given a body.
Identity and the name
The narrator hates his common name and cannot bear to share it, and the story asks what is left of a self that can be copied so exactly.
Pride and self-destruction
His need to dominate everyone leads him to attack the one person who resists him, and the attack turns out to be against himself.
Fate and blame
The narrator wants readers to see him as a slave of circumstances and an evil destiny, yet his own story shows him choosing each wrong.
Guilt and confession
The tale is a dying man’s plea for pity, and the gap between his excuses and his deeds is part of what the reader must judge.
Symbols & motifs
The whisper
The double’s low voice, which can never be raised, suggests the quiet voice of conscience; only at his death does he speak aloud.
The mirror
What looks like a mirror at the end is really the dying double, so the reflection and the victim become one.
The cloaks
Identical fur cloaks at Oxford and identical Spanish cloaks in Rome show the double matching the narrator in every detail of his vanity.
The school’s endless passages
A house so full of windings that no one can tell which floor he is on hints at the maze of the narrator’s own mind.
Recurring motifs
Imitation. Dress, gait, voice and costume are copied again and again until the copy and the original cannot be told apart.
Darkness and hidden faces. The double appears in dim halls, at dawn, when candles go out, and behind a mask, and his face is kept hidden for years.
Wine. Wine surrounds the key scenes: the narrator is drunk at Eton and at the Rome masquerade, and at Oxford he gets Glendinning drunk before ruining him.
Conflicts
Person vs. self
The narrator’s struggle with his double can be read as a struggle with his own better nature.
Person vs. person
From the schoolyard onward the two Wilsons are rivals, one trying to rule and the other refusing to obey.
Person vs. fate
The narrator claims an evil destiny pursued him and that he fled in vain from its mysterious power.
Literary devices
- The double
- Poe uses the old figure of the doppelgänger, a second self who shares a person’s name and looks, to dramatize a split within one mind.
- Unreliable narrator
- The only account comes from a man pleading for sympathy, who admits he is not using his real name and doubts his own senses.
- Epigraph
- The opening lines about grim conscience as a spectre in the path tell readers how to understand the double before the story begins.
- Foreshadowing
- The identical names, the shared birthday and the eerie face at the bedside all prepare for the final revelation in the mirror.
- Autobiographical detail
- Poe gave the narrator his own birthday, the nineteenth of January, and named the headmaster after the Reverend John Bransby, whose school near London he attended as a boy.
Important quotes
“What say of it? what say CONSCIENCE grim, / That spectre in my path?”
“From me, in an instant, all virtue dropped bodily as a mantle.”
“his singular whisper, it grew the very echo of my own.”
“I might, to-day, have been a better, and thus a happier man, had I less frequently rejected the counsels embodied in those meaning whispers”
“Thus it appeared, I say, but was not.”
“In me didst thou exist—and, in my death, see by this image, which is thine own, how utterly thou hast murdered thyself.”
The ending of William Wilson, explained
At the Carnival masquerade in Rome, the narrator is chasing the young wife of the old Duke Di Broglio when a hand touches his shoulder and the familiar whisper sounds in his ear. Mad with wine and rage, he drags the masked double into a small room, orders him to draw his sword, and after a brief fight stabs him repeatedly. Someone tries the door, and he turns away for a moment. When he looks back, a large mirror seems to stand where none was before, and in it his own image, pale and bloody, stumbles toward him. It is not a mirror. It is Wilson, mask and cloak on the floor, and every line of his face is the narrator’s own. For the first time the double speaks aloud: the narrator has conquered, but he is now dead to the World, to Heaven and to Hope, because in killing Wilson he has murdered himself. Readers take the double in different ways. Some read him as a real supernatural twin. Some see a hallucination of a guilty, drunken mind, though other people do seem to meet him: a servant brings his message at Eton, and the whole party at Oxford hears his whisper and finds the cards he points to. The most common reading follows the epigraph and treats the double as conscience in human form, since he appears only to prevent wrongdoing and his advice was always better than the narrator’s. On that reading, the murder is the moment the narrator kills his own moral sense. This links the ending to the opening, where he says that virtue dropped from him in an instant and that he has lived ever since in unspeakable misery and unpardonable crime. The story does not settle which reading is true.
Common misreadings
MythThe second William Wilson is the narrator’s evil twin.
ActuallyIt is the other way round. The double only ever interferes to stop cheating, seduction and other mischief, and the narrator admits his advice was morally better.
MythThe double is clearly a hallucination that no one else sees.
ActuallyThe story leaves his nature open, but he is not private to the narrator: a servant announces him at Eton, and the Oxford card party hears his voice and finds the cards he describes.
MythThe narrator dies at the end of the story.
ActuallyThe double dies. The narrator survives to write the account years later, and the word dead in the last speech means dead to the world, to Heaven and to hope.
Test yourself
1. What do the two William Wilsons share besides their name?
The narrator learns his namesake was born on the nineteenth of January 1813, his own birthday, and they entered the school the same day.
2. Why does the second Wilson always speak in a whisper?
The text says a weakness in his throat kept him from speaking above a very low whisper.
3. What happens at Oxford when the narrator ruins Glendinning?
The stranger’s whisper sends the company to his sleeve and pockets, where the doctored cards are found.
4. Where does the final confrontation take place?
It happens at the palazzo of the Duke Di Broglio during Carnival.
5. What does the narrator see when he turns back to his dying opponent?
The apparent mirror is really Wilson, whose face is identical to his own.
A boy who likes to boss everyone around meets another boy at school with his exact name and birthday. The other boy copies how he dresses and talks, but he can only whisper. As they grow up, the copycat keeps showing up whenever the first boy is about to do something bad, like cheating at cards. The first boy runs all over Europe but can never escape him. Finally, at a costume party, he gets so angry that he stabs his double with a sword. Then he sees that the dying double has his own face and hears that by killing him he has killed himself. Many readers think the double stands for his conscience, the voice inside that tells you right from wrong.
Flashcards flip, self-grade, and the deck remembers what you know
Nice work.
Compare & connect the story universe
The Strange Case of Dr Jekyll and Mr Hyde
Another story of a man split into two selves, though here the hidden self is the wicked one.
The Picture of Dorian Gray
A vain young man attacks the image that records his conscience and destroys himself in the act.
Markheim
A criminal is confronted by a mysterious visitor who may be his own conscience, at the moment he must choose what kind of man to be.
The Tell-Tale Heart
A Poe narrator confesses to violence while trying to control how the reader judges him.
Adaptation. Spirits of the Dead (1968, Film).
Discussion & essay prompts for class, or your next paper
💬 Discussion questions
- Who is the second William Wilson
- What does the ending of William Wilson mean
- Is William Wilson a doppelganger story
- How does William Wilson explore the theme of conscience and the divided self?
- How does William Wilson explore the theme of identity and the name?
- What is the central conflict in William Wilson, and how does it shape the ending?
✎ Essay prompts
- Analyze how Edgar Allan Poe develops the theme of conscience and the divided self in William Wilson. Support your argument with specific evidence from the text.
- Examine the significance of the whisper in William Wilson. What does it represent, and how does it deepen the work’s meaning?
- How does Edgar Allan Poe use the double to shape the reader’s experience of William Wilson?
- Some readers assume that the second William Wilson is the narrator’s evil twin. Argue for or against this interpretation, using evidence from the text.
Key questions students ask
- Who is the second William Wilson
- What does the ending of William Wilson mean
- Is William Wilson a doppelganger story
- Why does the other William Wilson only whisper
- What happens at Oxford in William Wilson
- What does the epigraph of William Wilson mean
Analysis is original StoryBites commentary. The text and the quotations follow The Works of the Late Edgar Allan Poe, edited by R. W. Griswold, volume I (New York: J. S. Redfield, 1850), checked against the page images of that printing. It is in the public domain.
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