William Wilson

A spoiled, arrogant young man is shadowed from schoolboy days by a whispering double with his name, his birthday and his face, until he runs the double through with a sword.

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At school the narrator rules everyone except one boy, who has the same name, arrived on the same day, and was born on the same date. That boy copies his clothes, his walk and even his voice, and he can only whisper. Years later, at Eton, at Oxford, in Rome and across Europe, the same whisper stops the narrator every time he is about to do something vile. Poe’s tale of a man and his double is also a confession, told by someone who says he is dying and wants your pity.

What happens in William Wilson

The narrator, near death and too ashamed to give his real name, calls himself William Wilson and promises to explain how he fell from ordinary wickedness into far worse crime. Spoiled by weak parents, he grows up willful. At Dr. Bransby’s school, a rambling old house in an English village, he rules his classmates except one: a boy with the same first name and surname who entered on the same day and, he later learns, was born on the same date. This second William Wilson competes with him, refuses to obey him, and slyly copies his dress, walk and manner. A weakness of the throat keeps him from speaking above a low whisper, yet his whisper becomes an echo of the narrator’s voice. He also offers quiet advice, which the narrator hates but later admits was wiser than his own. One night after a violent quarrel, the narrator creeps with a lamp to his rival’s bed to play a cruel trick, looks at the sleeping face, and is seized by such horror that he leaves the school that night for good. After months at home he goes to Eton and sinks into drinking. During a dawn party, a youth dressed like him appears in the dark hall, whispers the name William Wilson in his ear, and vanishes. At Oxford the narrator becomes a card cheat and sets out to ruin Glendinning, a rich young nobleman of weak intellect, at écarté. When Glendinning is ruined, a cloaked stranger bursts in, the candles go out, and a whisper tells the company to search the narrator’s sleeve and pockets, where the doctored cards are found. The host, Mr. Preston, hands him a fur cloak from the floor, the exact twin of the one already on his arm. He flees abroad, but in Paris, Rome, Vienna, Berlin, Moscow, Naples and Egypt the double keeps stepping in to spoil his schemes, never showing his face. At last, drunk at a Carnival masquerade in Rome, the narrator is pursuing the young wife of the old Duke Di Broglio when the whisper stops him. He drags the masked double, dressed exactly like him, into a small room and stabs him again and again. Turning back from the door, he seems to see a mirror holding his own pale, bloody image, but it is Wilson, wearing the narrator’s own face, who tells him that he has murdered himself.

Where and when William Wilson happens

Place

Dr. Bransby’s academy

A rambling Elizabethan house in a misty English village, walled with brick and broken glass, where the narrator spends five years and meets his double.

Place

Eton and Oxford

The schools where the narrator’s drinking and gambling grow, and where the double twice interrupts him.

Place

The palazzo of the Duke Di Broglio

The scene of a crowded Carnival masquerade in Rome and of the final fight in a small room off the ballroom.

Time

The 1800s, over one man’s life

Both Wilsons are born on the nineteenth of January 1813, and the story runs from their schooldays through years of flight to a Carnival in an unnamed year.

Timeline the story arc, beat by beat

  1. The school
    A second William Wilson

    At Dr. Bransby’s academy a boy with the narrator’s name, arrival day and birthday becomes the one classmate who will not submit to him.

  2. The rivalry
    The whispering copy

    The namesake imitates the narrator’s dress, walk and voice in a whisper and offers quiet advice that the narrator resents.

  3. The night
    The sleeper’s face

    Creeping with a lamp to prank his sleeping rival, the narrator is horrified by the face he sees and leaves the school that same night.

  4. Eton
    A whisper at dawn

    During a drunken party, a youth dressed like the narrator meets him in a dark hall, whispers his name, and disappears.

  5. Oxford
    The cheat exposed

    As the narrator ruins Glendinning at cards, a cloaked stranger tells the company where his hidden cards are, and he must flee Oxford.

  6. The pursuit
    Across Europe

    From Paris to Rome, Naples and Egypt, the double keeps appearing to block his schemes, always with his face hidden.

  7. The masquerade
    The mirror

    At a Carnival ball in Rome the narrator stabs the masked double and finds the dying man wearing his own face.

Characters and how they connect

William Wilson

The narrator

A proud, willful man who hides his real name behind this one and tells, near death, how he slid from schoolboy tyranny to cheating, debauchery and murder.

The second William Wilson

The narrator’s double

A classmate with the same name, birthday and build who speaks only in a whisper, copies the narrator, and turns up across Europe to stop his worst schemes.

Dr. Bransby

Headmaster and pastor

The principal of the narrator’s school, sour and strict with a ferule in the schoolroom yet solemn and benign in the village pulpit.

Glendinning

The narrator’s victim at cards

A newly rich young nobleman of weak intellect whom the narrator plies with wine and ruins at écarté at Oxford.

Mr. Preston

Host at Oxford

The fellow-commoner in whose rooms the cheating is exposed, who hands the narrator the duplicate cloak and tells him to leave.

Di Broglio’s wife

The narrator’s intended conquest

The young wife of an aged Neapolitan duke, whom the narrator is chasing through the masquerade when the double stops him.

Character Relationships who connects to whom, and the themes that bind them

Narrator William Wilson The story is told through their eyes.

Rivalry / conflict

William Wilson The second William Wilson

rivalryhates and fears

Connection

The second William Wilson William Wilson

consciencewarns and thwarts

William Wilson Glendinning

exploitationcheats at cards

Mr. Preston William Wilson

exposureorders him out

William Wilson Di Broglio’s wife

pursuitchases at the ball

Rivalry / conflict Connection

Themes in William Wilson what the story is really about

Conscience and the divided selfIdentity and the namePride and self-destructionFate and blameGuilt and confession

Conscience and the divided self

The double interferes only to stop mischief, and his quiet advice is better than the narrator’s own, so he works like a conscience given a body.

Identity and the name

The narrator hates his common name and cannot bear to share it, and the story asks what is left of a self that can be copied so exactly.

Pride and self-destruction

His need to dominate everyone leads him to attack the one person who resists him, and the attack turns out to be against himself.

Fate and blame

The narrator wants readers to see him as a slave of circumstances and an evil destiny, yet his own story shows him choosing each wrong.

Guilt and confession

The tale is a dying man’s plea for pity, and the gap between his excuses and his deeds is part of what the reader must judge.

Symbols & motifs

The whisper

The double’s low voice, which can never be raised, suggests the quiet voice of conscience; only at his death does he speak aloud.

The mirror

What looks like a mirror at the end is really the dying double, so the reflection and the victim become one.

The cloaks

Identical fur cloaks at Oxford and identical Spanish cloaks in Rome show the double matching the narrator in every detail of his vanity.

The school’s endless passages

A house so full of windings that no one can tell which floor he is on hints at the maze of the narrator’s own mind.

Recurring motifs

Imitation. Dress, gait, voice and costume are copied again and again until the copy and the original cannot be told apart.

Darkness and hidden faces. The double appears in dim halls, at dawn, when candles go out, and behind a mask, and his face is kept hidden for years.

Wine. Wine surrounds the key scenes: the narrator is drunk at Eton and at the Rome masquerade, and at Oxford he gets Glendinning drunk before ruining him.

Conflicts

Person vs. self

The narrator’s struggle with his double can be read as a struggle with his own better nature.

Person vs. person

From the schoolyard onward the two Wilsons are rivals, one trying to rule and the other refusing to obey.

Person vs. fate

The narrator claims an evil destiny pursued him and that he fled in vain from its mysterious power.

Literary devices

The double
Poe uses the old figure of the doppelgänger, a second self who shares a person’s name and looks, to dramatize a split within one mind.
Unreliable narrator
The only account comes from a man pleading for sympathy, who admits he is not using his real name and doubts his own senses.
Epigraph
The opening lines about grim conscience as a spectre in the path tell readers how to understand the double before the story begins.
Foreshadowing
The identical names, the shared birthday and the eerie face at the bedside all prepare for the final revelation in the mirror.
Autobiographical detail
Poe gave the narrator his own birthday, the nineteenth of January, and named the headmaster after the Reverend John Bransby, whose school near London he attended as a boy.

Important quotes

“What say of it? what say CONSCIENCE grim, / That spectre in my path?”
The epigraph, which this printing credits to Chamberlain’s Pharronida, meaning William Chamberlayne’s poem Pharonnida (1659); editors have not found the lines in that poem. It names the double’s meaning before the story starts.
“From me, in an instant, all virtue dropped bodily as a mantle.”
The narrator’s opening confession, which the final scene explains.
“his singular whisper, it grew the very echo of my own.”
On the namesake’s imitation at school, when even his whisper matches the narrator’s voice.
“I might, to-day, have been a better, and thus a happier man, had I less frequently rejected the counsels embodied in those meaning whispers”
The narrator’s rare admission that his rival’s advice was right.
“Thus it appeared, I say, but was not.”
At the climax, when what seems a mirror turns out to be the dying Wilson.
“In me didst thou exist—and, in my death, see by this image, which is thine own, how utterly thou hast murdered thyself.”
The double’s last words, spoken aloud rather than whispered, which close the story.
Ending explained

The ending of William Wilson, explained

At the Carnival masquerade in Rome, the narrator is chasing the young wife of the old Duke Di Broglio when a hand touches his shoulder and the familiar whisper sounds in his ear. Mad with wine and rage, he drags the masked double into a small room, orders him to draw his sword, and after a brief fight stabs him repeatedly. Someone tries the door, and he turns away for a moment. When he looks back, a large mirror seems to stand where none was before, and in it his own image, pale and bloody, stumbles toward him. It is not a mirror. It is Wilson, mask and cloak on the floor, and every line of his face is the narrator’s own. For the first time the double speaks aloud: the narrator has conquered, but he is now dead to the World, to Heaven and to Hope, because in killing Wilson he has murdered himself. Readers take the double in different ways. Some read him as a real supernatural twin. Some see a hallucination of a guilty, drunken mind, though other people do seem to meet him: a servant brings his message at Eton, and the whole party at Oxford hears his whisper and finds the cards he points to. The most common reading follows the epigraph and treats the double as conscience in human form, since he appears only to prevent wrongdoing and his advice was always better than the narrator’s. On that reading, the murder is the moment the narrator kills his own moral sense. This links the ending to the opening, where he says that virtue dropped from him in an instant and that he has lived ever since in unspeakable misery and unpardonable crime. The story does not settle which reading is true.

Common misreadings

MythThe second William Wilson is the narrator’s evil twin.

ActuallyIt is the other way round. The double only ever interferes to stop cheating, seduction and other mischief, and the narrator admits his advice was morally better.

MythThe double is clearly a hallucination that no one else sees.

ActuallyThe story leaves his nature open, but he is not private to the narrator: a servant announces him at Eton, and the Oxford card party hears his voice and finds the cards he describes.

MythThe narrator dies at the end of the story.

ActuallyThe double dies. The narrator survives to write the account years later, and the word dead in the last speech means dead to the world, to Heaven and to hope.

Test yourself

1. What do the two William Wilsons share besides their name?

2. Why does the second Wilson always speak in a whisper?

3. What happens at Oxford when the narrator ruins Glendinning?

4. Where does the final confrontation take place?

5. What does the narrator see when he turns back to his dying opponent?

Explain it like I’m 12

A boy who likes to boss everyone around meets another boy at school with his exact name and birthday. The other boy copies how he dresses and talks, but he can only whisper. As they grow up, the copycat keeps showing up whenever the first boy is about to do something bad, like cheating at cards. The first boy runs all over Europe but can never escape him. Finally, at a costume party, he gets so angry that he stabs his double with a sword. Then he sees that the dying double has his own face and hears that by killing him he has killed himself. Many readers think the double stands for his conscience, the voice inside that tells you right from wrong.

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Answer

Compare & connect the story universe

The Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson

Another story of a man split into two selves, though here the hidden self is the wicked one.

The Picture of Dorian Gray

Oscar Wilde

A vain young man attacks the image that records his conscience and destroys himself in the act.

Markheim

Robert Louis Stevenson

A criminal is confronted by a mysterious visitor who may be his own conscience, at the moment he must choose what kind of man to be.

The Tell-Tale Heart

Edgar Allan Poe

A Poe narrator confesses to violence while trying to control how the reader judges him.

Adaptation. Spirits of the Dead (1968, Film).

Discussion & essay prompts for class, or your next paper

💬 Discussion questions

  • Who is the second William Wilson
  • What does the ending of William Wilson mean
  • Is William Wilson a doppelganger story
  • How does William Wilson explore the theme of conscience and the divided self?
  • How does William Wilson explore the theme of identity and the name?
  • What is the central conflict in William Wilson, and how does it shape the ending?

✎ Essay prompts

  1. Analyze how Edgar Allan Poe develops the theme of conscience and the divided self in William Wilson. Support your argument with specific evidence from the text.
  2. Examine the significance of the whisper in William Wilson. What does it represent, and how does it deepen the work’s meaning?
  3. How does Edgar Allan Poe use the double to shape the reader’s experience of William Wilson?
  4. Some readers assume that the second William Wilson is the narrator’s evil twin. Argue for or against this interpretation, using evidence from the text.

Key questions students ask

  • Who is the second William Wilson
  • What does the ending of William Wilson mean
  • Is William Wilson a doppelganger story
  • Why does the other William Wilson only whisper
  • What happens at Oxford in William Wilson
  • What does the epigraph of William Wilson mean

Analysis is original StoryBites commentary. The text and the quotations follow The Works of the Late Edgar Allan Poe, edited by R. W. Griswold, volume I (New York: J. S. Redfield, 1850), checked against the page images of that printing. It is in the public domain.

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