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The Canterbury Tales

Some thirty pilgrims riding to Canterbury hold a storytelling contest, and each tale, from a knight’s romance to a drunken miller’s farce and a con man’s sermon, reveals the person who tells it.

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The whole book in 60 seconds

On an April evening a crowd of strangers meets at an inn outside London, all bound for the shrine at Canterbury, and the innkeeper turns their journey into a contest: whoever tells the best story wins a free supper. What follows is a noble romance, a bawdy farce, a five-times-married woman’s defense of her life, a con man’s confession and a rooster who argues with his wife about dreams. Between the tales the pilgrims heckle, quarrel and answer one another, and every teller gives something away. The English is six hundred years old, but once the spelling stops looking strange, the jokes still land.

What happens in The Canterbury Tales

One April the narrator is staying at the Tabard inn in Southwark, ready to ride to the shrine of the martyr St. Thomas Becket at Canterbury, when some twenty-nine pilgrims arrive, and he joins them. He describes them one by one, from a Knight, a Prioress, a Monk and a Friar to a Clerk of Oxford, a Wife of Bath, a poor Parson, a Miller, a Reeve, a Summoner and a Pardoner. After supper the Host of the inn proposes a game: each pilgrim will tell two tales on the way to Canterbury and two on the way back, he will ride along as judge, and the teller of the best tale will win a supper paid for by the rest. Next morning they draw lots, and the Knight tells the first tale, a romance about two Theban cousins, Palamon and Arcite, who both love Emelye; Arcite wins her in a tournament but dies, and Palamon marries her. The Host asks the Monk to follow, but the drunken Miller insists on answering the Knight, and the Reeve, who had trained as a carpenter, objects in vain. The Miller’s tale tells how an old Oxford carpenter, John, is fooled by his young wife Alison and his lodger Nicholas with a fake prophecy of a second Flood, while the parish clerk Absolon is humiliated at her window. The Wife of Bath describes her five marriages, attacks the learned men who write against wives, and explains how she won control over her fifth husband, Jankin. Her tale, set in King Arthur’s time, follows a knight who must learn what women most desire; an old woman gives him the answer, sovereignty, in return for his promise to grant her next request, which turns out to be marriage, and becomes young and beautiful when he lets her choose. The Pardoner boasts that he preaches against greed only to get money, then tells of three rioters who set out to kill Death, find gold under a tree, and destroy one another. When he tries to sell pardons to the pilgrims, the Host insults him, and the Knight makes them kiss and ride on. The Nun’s Priest tells of Chauntecleer the rooster, who dreams of a fox, debates dreams with his wife Pertelote, is carried off through flattery and escapes by the same trick. The book ends with Chaucer’s Retraction, in which he asks forgiveness for his worldly writings, including the tales that tend toward sin.

Where and when The Canterbury Tales happens

Place

The Tabard, Southwark

An inn in Southwark, across the Thames from the City of London, where the pilgrims meet, eat the Host’s supper and agree to the game. The winner’s supper was to be held there on their return.

Place

The road to Canterbury

The road to the shrine of St. Thomas, where the tales are told on horseback. The first stop is the watering place of St. Thomas, and the Summoner speaks of reaching Sittingbourne, a town on the way.

Place

The worlds of the tales

The tales travel far from the road: ancient Athens and Thebes, the Oxford of Chaucer’s day, King Arthur’s Britain, a company of young revelers in Flanders and a widow’s farmyard.

Time

April, late fourteenth century

The pilgrimage begins in April, when spring rain and birdsong stir people to travel to holy places. Chaucer worked on the Tales from about 1387 until his death in 1400, and his pilgrims belong to the England of his day.

Chapter by chapter summary + why it matters

  1. 1

    The General Prologue

    In April, when people long to go on pilgrimage, the narrator is staying at the Tabard in Southwark when some twenty-nine pilgrims bound for Canterbury arrive, and he joins them. He describes each one, among them the Knight and his son the Squire, the Prioress Madame Eglentyne, the hunting Monk, the Friar Huberd, the Clerk of Oxford, the Wife of Bath, the poor Parson and his brother the Plowman, the Miller, the Reeve, the Summoner and the Pardoner. After supper the Host proposes that each pilgrim tell two tales on the way to Canterbury and two on the way home, with a supper at everyone’s cost for the best, and all agree to make him their judge. Next morning, at the watering place of St. Thomas, they draw lots, and the lot falls to the Knight.

    Why it mattersThe portraits borrow the old form of estates satire but give each pilgrim a face, clothes, habits and a way of talking, and the narrator’s warm praise of rogues leaves the judging to us. The Host’s game supplies the frame and its standard: the tale with the best meaning and the most pleasure.

  2. 2

    The Knight’s Tale

    Theseus, duke of Athens, rides home with his Amazon bride Ipolita and her young sister Emelye, and a company of widows in black begs him to act against Creon of Thebes, who will not let their husbands’ bodies be buried or burned. Theseus defeats Creon and imprisons two wounded Theban cousins of royal blood, Palamon and Arcite, for life; from their tower both fall in love with Emelye, and their sworn brotherhood turns to rivalry. After Arcite is freed and banished, returns in disguise, and Palamon escapes, Theseus finds them fighting in a grove and sets a great tournament for Emelye’s hand; before it Palamon prays to Venus, Arcite to Mars and Emelye to Diana. Arcite wins the tournament, but his horse throws him and he dies of his injuries, and years later Theseus, in a long speech on why all things must end, asks Emelye to marry Palamon, and the two live in bliss.

    Why it mattersA long chivalric romance set in ancient Athens, it asks whether a world ruled by Fortune and quarrelling gods has any order. Theseus’s answer is to make a virtue of necessity and turn two sorrows into one lasting joy.

  3. 3

    The Miller’s Prologue and Tale

    The Host asks the Monk to follow the Knight, but the drunken Miller insists on telling a tale of a carpenter and his wife; the Reeve protests, and the narrator tells readers who dislike coarse stories to turn the page and choose another. In Oxford, Nicholas, a student of astrology who lodges with the old, jealous carpenter John, plans to spend a night with John’s eighteen-year-old wife Alison, while the parish clerk Absolon courts her with songs and gifts. Nicholas convinces John that a flood greater than Noah’s is coming and has him hang three kneading tubs from the roof, and when John falls asleep in his, the lovers go to bed. Before dawn Alison tricks Absolon into kissing her bare backside at the dark window; he returns with a red-hot plough blade, Nicholas tries the same joke and is branded, and his cry for water makes John cut his rope and crash to the floor with a broken arm, while the whole town laughs at him as a madman.

    Why it mattersThe Miller quites, or repays, the Knight’s noble tale with a comic one built on the same shape, two young men wanting one woman. Each man is caught by his own weakness: John by his credulity, Absolon by his vanity and Nicholas by his love of a joke.

  4. 4

    The Wife of Bath’s Prologue and Tale

    The Wife says experience, not books, gives her the right to speak of marriage: wed first at twelve, she has had five husbands, and she argues from the Bible that marrying again is no sin. She tells how she ruled her three rich old husbands by accusing them first and outwitted her unfaithful fourth, then married Jankin, a clerk of twenty when she was forty, who read to her from his book of wicked wives until she tore out pages and struck him, and he hit her so hard she lay as if dead; they made peace when he gave her full control of house, land, tongue and hand and burned the book. After the Friar and the Summoner squabble, she tells of a knight of King Arthur’s court who rapes a young woman and is condemned, until the queen spares him if he can learn within a year and a day what women most desire. An old woman gives him the answer, sovereignty, makes him marry her, and after a speech on true nobility lets him choose an ugly, faithful wife or a fair one he cannot be sure of; when he leaves the choice to her, she becomes both beautiful and true.

    Why it mattersThe Wife turns the churchmen’s own authorities against them and asks who painted the lion, meaning who wrote the books that blame women. Readers still argue whether her tale’s ending, in which the wife gains mastery and then obeys her husband in everything, celebrates women’s sovereignty or takes it back.

  5. 5

    The Pardoner’s Prologue and Tale

    The Pardoner explains his trade: he always preaches on the text that greed is the root of evils, shows papal documents and fake relics, and boasts that he preaches only for money, even from the poorest widow. His tale, set in Flanders, opens with a sermon against gluttony, drunkenness, gambling and swearing, then follows three young rioters who hear that a thief called Death has killed their old companion and swear to kill Death. A strange old man who cannot die sends them to an oak tree, where they find nearly eight bushels of gold florins; two of them stab the youngest when he returns from town, then drink the wine he has poisoned and die. The Pardoner then offers his relics and pardons to the pilgrims, starting with the Host, who answers with a crude insult, and the Knight makes the two kiss and ride on.

    Why it mattersThe tale works exactly as the Pardoner says his sermons work, frightening listeners about greed so that they pay him. Readers disagree whether his final sales pitch is a joke, a blunder or a sign that his own story has shaken him.

  6. 6

    The Nun’s Priest’s Tale

    A poor widow keeps a yard with a splendid rooster, Chauntecleer, and seven hens, of whom the fairest is Pertelote. Chauntecleer dreams of a reddish beast like a dog, and Pertelote scolds him as a coward, blames his humors and prescribes laxatives, while he answers with story after story in which dreams came true. After all his examples, he declares that he defies dreams and flies down into the yard, where a fox flatters him into closing his eyes to sing and carries him off, and the widow, her two daughters, the dogs and the whole farm give chase. Chauntecleer persuades the fox to shout a taunt at the pursuers, flies into a tree the moment it opens its mouth, and refuses to be flattered twice.

    Why it mattersA mock epic, it dresses a farmyard fable in learned debate, tragic laments and questions about free will. Its lesson, beware of flattery, comes with an invitation to take the fruit and leave the chaff.

  7. 7

    Chaucer’s Retraction

    In a short prose farewell, the maker of the book asks readers to thank Christ for anything in it that pleases them and to blame his lack of skill for anything that does not. He asks for their prayers and revokes his works of worldly vanity, naming Troilus, the House of Fame, the Legend of Good Women, the Book of the Duchess, the Parliament of Birds, a Book of the Lion and those Canterbury tales that tend toward sin. He gives thanks for his translation of Boethius and his religious writings and prays for the grace of true penitence.

    Why it mattersIn the manuscripts it follows the Parson’s Tale, a prose treatise on penitence not included here, so the journey ends with the soul rather than with a supper at the Tabard. Whether Chaucer meant it as sincere repentance or as a customary closing is still debated.

Characters and how they connect

The narrator

Pilgrim who tells the frame story

A friendly, apparently simple pilgrim who joins the company at the Tabard and describes everyone. He praises rogues as warmly as saints, and readers often call him Chaucer the pilgrim to set him apart from Chaucer the poet.

The Host

Innkeeper of the Tabard and judge of the game

A large, bold, merry man who invents the storytelling contest, rides along as guide and keeps order, sometimes roughly. A later part of the Tales, not included here, names him Harry Bailly.

The Knight

Veteran of crusades, teller of the first tale

A true and perfect gentle knight, in the narrator’s words, who has fought in fifteen mortal battles and rides in a tunic stained by his armor. He draws the first lot and later makes peace between the Host and the Pardoner.

The Miller

Brawler and teller of a bawdy tale

Big and red-bearded, with a wart on his nose, he can break a door with his head, steals grain and plays the bagpipes as the company leaves town. Drunk, he pushes in to answer the Knight’s tale with a very different one.

The Wife of Bath

Cloth-maker, five times married

Somewhat deaf and gap-toothed, she has been to Jerusalem three times and wears a hat as broad as a shield and scarlet stockings. Her prologue, longer than her tale, defends her life against the authorities who condemn women.

The Pardoner

Seller of pardons and fake relics

Long-haired, beardless and high-voiced, he rides with the Summoner, fresh from Rome, carrying a pillowcase he calls Our Lady’s veil and pigs’ bones in a glass. He admits he preaches against greed only to fill his own purse.

The Parson

Poor parish priest

The narrator’s ideal churchman, poor in goods but rich in holy thought and work, who visits the farthest houses of his parish on foot and follows Christ’s teaching before he preaches it. His brother, the Plowman, is just as good.

Chauntecleer

Rooster in the Nun’s Priest’s Tale

A proud cock whose crowing is more reliable than an abbey clock. He out-argues his wife Pertelote about dreams, then flies down into the yard anyway, falls for a fox’s flattery, and saves himself with a trick of his own.

Character Relationships who connects to whom, and the themes that bind them

Most connected The Host Where the most relationships meet.

Rivalry / conflict

The Miller The Knight

rivalryanswers his noble tale

Connection

The narrator The Host

fellowshipagrees to his game

The Host The Miller

conflicttries to make him wait

The Host The Pardoner

conflictmocks his relics

The Knight The Host

peacemakingmakes him kiss the Pardoner

The Pardoner The Wife of Bath

interruptioninterrupts her prologue

The narrator The Parson

admirationcalls him the best priest

Rivalry / conflict Connection

Themes in The Canterbury Tales what the novel is really about

Society and its estatesCorruption in the ChurchMarriage and masteryGreedGame and earnest

Society and its estates

The General Prologue walks through medieval society, from a knight and churchmen to merchants, craftsmen and a plowman. Chaucer shows each pilgrim through clothes, habits and talk, so readers can judge how well each one lives up to a role.

Corruption in the Church

Many of the sharpest portraits are of churchmen who profit from their office: the hunting Monk, the Friar who sells easy penance, the Summoner and the Pardoner. The poor Parson, who practices what he preaches, shows the standard they fail.

Marriage and mastery

Who rules in a marriage runs through the Miller’s Tale, the Wife of Bath’s Prologue and her tale. The Wife’s answer is sovereignty, yet her own story and her tale both end with the partners kind and faithful once the question is settled.

Greed

The Pardoner preaches that greed is the root of evils while practicing it, and his three rioters, sworn to kill Death, find it waiting for them as a heap of gold. The Physician’s love of gold and the Friar’s hunt for a widow’s last farthing make the same point on a smaller scale.

Game and earnest

The Host calls the storytelling a game, and the narrator warns readers not to make earnest of game. Yet tales told for fun carry serious lessons, and the book ends with the Retraction, where play gives way to prayer.

Symbols & motifs

The pilgrimage

A journey to the shrine of St. Thomas at Canterbury, it puts every kind of person on one road. Many readers also take it as a picture of life as a journey toward judgment, a meaning the Retraction brings to the surface.

The supper prize

The Host’s reward goes to the tale of best sentence and most solas, meaning the best meaning and the most pleasure. The phrase names the two things the Tales try to combine, though no winner is ever announced.

The Pardoner’s relics

A pillowcase sold as Our Lady’s veil, pigs’ bones in a glass and a sheep’s shoulder-bone said to cure sick animals and jealous husbands. They stand for faith turned into merchandise.

The gold under the oak

The rioters go looking for Death and find gold instead, and the gold kills them. The old man’s directions to Death turn out to be exactly right.

Jankin’s book of wicked wives

One volume binds together centuries of writing against women. When the Wife tears pages out of it and makes Jankin burn it, she strikes at the authority it stands for.

Recurring motifs

Quiting. To quite is to repay. The Miller sets out to quite the Knight’s tale, Absolon vows to quite the lovers, and the Friar and the Summoner promise tales against each other, so stories become answers and weapons.

Authorities and examples. The Wife, Jankin, Pertelote, Chauntecleer and the Pardoner all pile up examples from books, the Bible and old stories to win arguments. Chaucer lets readers see how easily authority can be bent to any purpose.

Flattery and tricks. Nicholas fools John, Alison fools Absolon, the Pardoner fools country parsons and their people, and the fox fools Chauntecleer until the rooster turns the trick back on him.

Important quotes

“Whan that Aprille with his shoures sote / The droghte of Marche hath perced to the rote”
In modern English: when April with its sweet showers has pierced the drought of March to the root. These are the first lines of the General Prologue, setting the pilgrimage in spring. Read aloud, the final -e of sote and rote is sounded, and the pair rhyme as a couplet, the form of most of the Tales.
“That ech of yow, to shorte with your weye, / In this viage, shal telle tales tweye, / To Caunterbury-ward, I mene it so, / And hom-ward he shal tellen othere two,”
In modern English: each of you, to shorten the road, shall tell two tales on this journey on the way to Canterbury, and two others on the way home. The Host sets the rules of the game in the General Prologue. At four tales a pilgrim, the plan was far larger than anything Chaucer finished.
“Experience, though noon auctoritee / Were in this world, were right y-nough to me / To speke of wo that is in mariage;”
In modern English: experience, even if there were no written authority in the world, would be enough for me to speak of the misery in marriage. The Wife of Bath’s first words set her own life against the books of learned men, a contest that runs through her whole prologue.
“Wommen desyren to have sovereyntee / As wel over hir housbond as hir love, / And for to been in maistrie him above;”
In modern English: women want sovereignty over their husbands as well as their lovers, and to have mastery over them. The knight gives this answer before the queen’s court in the Wife of Bath’s Tale and saves his life. The word returns at the end, spelled maistrye, when the old wife wins it from him.
“Therfor my theme is yet, and ever was— / “Radix malorum est cupiditas.” / Thus can I preche agayn that same vyce / Which that I use, and that is avaryce.”
In modern English: so my text is still, and always was, the Latin saying that greed is the root of evils; that is how I can preach against the very vice I practice, which is avarice. The Pardoner’s Latin comes from St. Paul’s first letter to Timothy, as the heading of his prologue notes. His open boast that he preaches against greed out of greed is the key to his character.
“Taketh the moralitee, good men. / For seint Paul seith, that al that writen is, / To our doctryne it is y-write, y-wis. / Taketh the fruyt, and lat the chaf be stille.”
In modern English: take the moral, good people, for St. Paul says that everything written is written for our teaching; take the fruit, and leave the chaff alone. The Nun’s Priest ends his beast fable by telling listeners to find the lesson in a story about a cock and a hen. The Retraction quotes the same saying of St. Paul, that all that is written is written for our teaching.
Ending explained

The ending of The Canterbury Tales, explained

The Canterbury Tales has no ending of the kind the General Prologue promises. The Host planned four tales from every pilgrim and a supper for the winner back at the Tabard, but in the text the pilgrims never reach Canterbury, never turn for home, and no winner is named. About two dozen tales survive, some unfinished, in groups whose order differs from one manuscript to another. The book closes instead with the Parson’s Tale, a long prose treatise on penitence not included here, and then a short prose passage headed Here taketh the makere of this book his leve, usually called the Retraction. In it Chaucer speaks in his own voice. He asks readers to thank Christ for anything they liked and to blame his lack of skill for anything they did not. He then revokes his works of worldly vanity by name, among them Troilus, the House of Fame, the Legend of Good Women and the tales of Canterbury that tend toward sin. He gives thanks only for his translation of Boethius and his saints’ lives, homilies and devotional writing, and he asks for prayers for his soul. Readers disagree about how to take this. Some read it as sincere repentance by a writer near the end of his life who wanted his religious work to outweigh the bawdy. Others note that medieval authors often closed with conventional apologies, and that Chaucer keeps a teasing edge: he never says which tales tend toward sin, so each reader has to decide, just as the narrator told squeamish readers of the Miller’s Tale to turn the page. A third reading ties the Retraction to the frame itself. The pilgrims set out for a shrine, and the book ends on the soul’s journey toward judgment, so the game finally gives way to earnest. The Nun’s Priest’s advice, to take the fruit and leave the chaff, may be the best guide to the whole book.

Common misreadings

MythThe Canterbury Tales is written in Old English.

ActuallyIt is in Middle English, the English of London in the late 1300s. Old English is the much older language of Beowulf. Chaucer’s spelling looks strange at first (Skeat’s edition prints I where modern English uses J, as in Iesu), but much of it can be read with a few glosses.

MythChaucer finished the Tales, and the pilgrims reach Canterbury.

ActuallyThe Host’s plan calls for four tales from each pilgrim, well over a hundred in all. About two dozen survive, some of them unfinished, the pilgrims never arrive in the text, and no winner is named.

MythThe narrator’s praise tells us what Chaucer thought of each pilgrim.

ActuallyThe narrator admires almost everyone, including the Monk who ignores his rule and the Friar who sells easy penance. Readers usually separate this naive pilgrim from Chaucer the poet, whose irony invites us to see what the narrator does not.

Test yourself

1. Where do the pilgrims gather before setting out?

2. What does the Host promise the teller of the best tale?

3. What answer saves the knight’s life in the Wife of Bath’s Tale?

4. What do the three rioters find when they go looking for Death?

5. How does Chauntecleer escape from the fox?

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Answer

Explain it like I’m 12

A group of about thirty people are riding to Canterbury, a holy city in England, and they meet at an inn. The innkeeper says they should tell stories on the way, and the best storyteller will win a free dinner. A knight tells a long story about two cousins who love the same woman. A drunk miller tells a rude, funny story about a trick played on an old carpenter. A woman who has had five husbands talks about marriage and tells a story about a knight who must find out what women want most. A dishonest church official tells a story about three men who kill each other over gold. A priest tells a story about a proud rooster who is almost eaten by a fox because he believes its flattery.

Compare & connect the story universe

Sir Gawain and the Green Knight

Anonymous

Written in the same years in another dialect of Middle English, it is an Arthurian romance that tests a knight’s promise, as the Wife of Bath’s Tale does.

How Much Land Does a Man Need?

Leo Tolstoy

A peasant’s greed for land leads him to his death, a moral fable as stark as the Pardoner’s tale of the three rioters.

The Taming of the Shrew

William Shakespeare

A comedy about who holds power in a marriage, which invites the same arguments readers bring to the Wife of Bath.

A Midsummer Night’s Dream

William Shakespeare

The play opens with Theseus of Athens about to marry the Amazon queen Hippolyta, the couple who open the Knight’s Tale, and it too has two young men quarrelling over love.

Adaptations. The Canterbury Tales (2003, BBC television series).

Discussion & essay prompts for class, or your next paper

💬 Discussion questions

  • What is the frame story of The Canterbury Tales
  • How many tales was each pilgrim supposed to tell in The Canterbury Tales
  • What do women most desire in the Wife of Bath’s Tale
  • How does The Canterbury Tales explore the theme of society and its estates?
  • How does The Canterbury Tales explore the theme of corruption in the Church?
  • What is the central conflict in The Canterbury Tales, and how does it shape the ending?

✎ Essay prompts

  1. Analyze how Geoffrey Chaucer develops the theme of society and its estates in The Canterbury Tales. Support your argument with specific evidence from the text.
  2. Examine the significance of the pilgrimage in The Canterbury Tales. What does it represent, and how does it deepen the work’s meaning?
  3. How does Geoffrey Chaucer use frame narrative to shape the reader’s experience of The Canterbury Tales?
  4. Some readers assume that the Canterbury Tales is written in Old English. Argue for or against this interpretation, using evidence from the text.

Key questions students ask

  • What is the frame story of The Canterbury Tales
  • How many tales was each pilgrim supposed to tell in The Canterbury Tales
  • What do women most desire in the Wife of Bath’s Tale
  • What is the moral of the Pardoner’s Tale
  • Why does the Pardoner admit he is a fraud
  • What is Chaucer’s Retraction at the end of The Canterbury Tales

Analysis is original StoryBites commentary. The quotations are in Chaucer’s Middle English and follow Walter W. Skeat’s Oxford edition, The Complete Works of Geoffrey Chaucer, volume IV (Clarendon Press, 1894), checked against the page images of that printing. It is in the public domain. StoryBites does not print a modern translation, because the complete modern translations are still under copyright in some countries; the prose version by John S. P. Tatlock and Percy MacKaye (1912) is already in the public domain in the United States and in countries with a life-plus-50 term, and it enters the public domain in life-plus-70 countries such as the UK and the EU on 1 January 2027, since MacKaye, the longer-lived translator, died in 1956.

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